"My son," she murmured, wringing her hands piteously—, "my son the companion of thieves! My son in Jonathan Wild's power! It cannot be. Sheppard, faintly. The young man desperately ill and the girl taking care of him! Of course, there could be only one ending to such a bout with liquor, and that ending had come perhaps suddenly but not surprisingly. Kneebone made his appearance. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. She found no ready reply to that, and he went on: “This music is the food of love. They rose as she approached. She comprehends what we're about. And, decently as he could, McClintock was giving the man the boot.
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