Here, where every element of her surroundings was tawdry and commonplace, and before this young man of vulgar origin and appearance, it was striking. That it provided proof of the girl’s identity was one thing. ’ ‘Don’t you dare. He did not want Ruth to see his own stricken countenance; nor did he care to see hers, ravaged by tears. Then suddenly with a rush came reality, came “growing up”; a hasty imperative appeal for seriousness, for supreme seriousness. ” “But don’t you see how I must stand to you? Don’t you see how it bars us from being lovers—You can’t—at first.
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