Manning’s handwriting had an air of being clear without being easily legible; it was large and rather roundish, with a lack of definition about the letters and a disposition to treat the large ones as liberal-minded people nowadays treat opinions, as all amounting to the same thing really—a yearssmoothed boyish rather than an adult hand. “It’s no sort of good, Ann Veronica, pretending one does believe when one doesn’t. . ‘Least of all, one who takes advantage of another’s misfortune. Books were always sliding and slipping, clumsy objects to hold.
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