Stanley, produced a portrait from its hiding-place in the jewel-drawer under the mirror. When the word “FREAK” appeared scratched in the persimmon colored paint on her locker, she knew that in some fragile young woman’s mind a war had escalated from imaginary to physical. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance.
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