’ Grudgingly, the sergeant shifted aside and allowed her access to the stairs, grumbling to her retreating back, ‘If I’d me way, missie, I’d send you back to France where you ought never to have come away from, if you arst me. It’s a tremendous blow, of course—but it doesn’t kill me. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. His eyes were fixed upon her face, but he opened his lips twice before he spoke. ‘And if not her, for she is dead, then me. Wood had the advantage of her husband in point of years, being on the sunny side of forty,—a period pronounced by competent judges to be the most fascinating, and, at the same time, most critical epoch of woman's existence,—whereas, he was on the shady side of fifty,—a term of life not generally conceived to have any special recommendation in female eyes. ’ ‘Gammon!’ burst from the captain, who had just tossed off a glass of Madeira. ” She kissed him passionately, and ran lightly upstairs. “I do love you. You want industry—you want steadiness. The day is already half over.
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